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The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. Walters

ARTIFACT

The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. Walters

ARTIFACT / Photography

Wood Screen with Each panel features eleven miniature paintings on oval ivory slabs in the Mughal style. The subjects of these paintings are busts of Mughal Emperors accompanied by their consorts, spanning from Amir Timur to Mirza Fakhru early 20th ce,salar jung museum,india

ARTIFACT

Wood Screen with Each panel features eleven miniature paintings on oval ivory slabs in the Mughal style. The subjects of these paintings are busts of Mughal Emperors accompanied by their consorts, spanning from Amir Timur to Mirza Fakhru early 20th ce,salar jung museum,india

ARTIFACT / Photography

The painting depicts a young man. It is a so-called Fayum portrait—a unique type of portrait created in Egypt during the Roman period, roughly from the 1st to the 3rd century CE. These portraits were painted on wooden panels using the encaustic technique .

ARTIFACT

The painting depicts a young man. It is a so-called Fayum portrait—a unique type of portrait created in Egypt during the Roman period, roughly from the 1st to the 3rd century CE. These portraits were painted on wooden panels using the encaustic technique .

ARTIFACT / Photography

Portrait of a mummified Roman woman. The painting is made with wax on sycamore wood. The artifact dates to 2nd century CE and comes from Roman Egypt.

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Portrait of a mummified Roman woman. The painting is made with wax on sycamore wood. The artifact dates to 2nd century CE and comes from Roman Egypt.

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Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT / Photography

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT / Photography

Pair of ivory Benin leopards. Leopards were considered 'kings of the forest' and were an important symbol of regal power in Benin. 19th century Nigeria, British Museum

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Pair of ivory Benin leopards. Leopards were considered 'kings of the forest' and were an important symbol of regal power in Benin. 19th century Nigeria, British Museum

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Royal staff handle from the Achaemenid Empire . It features a cylindrical gold socket, ending in two lapis lazuli lion heads. The socket is decorated with repoussé work, and traces of ivory or bone remain inside. On display at the Iranian Gallery, British Museum.

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Royal staff handle from the Achaemenid Empire . It features a cylindrical gold socket, ending in two lapis lazuli lion heads. The socket is decorated with repoussé work, and traces of ivory or bone remain inside. On display at the Iranian Gallery, British Museum.

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Ivory miniature painting,showing a group of people enjoying dance and musical party in the garden,fitted in a gilt frame.19th century,france salar jung museum,india

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Ivory miniature painting,showing a group of people enjoying dance and musical party in the garden,fitted in a gilt frame.19th century,france salar jung museum,india

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A miniature model of a Chinese garden, coloured with blue kingfisher feathers, called TianTsui - a style of Chinese art from the Qing dynasty, 19th century

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A miniature model of a Chinese garden, coloured with blue kingfisher feathers, called TianTsui - a style of Chinese art from the Qing dynasty, 19th century

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The "Sappho" fresco, or Portrait of a Young Woman with Stylus, Pompeii, 1st century AD. It depicts a finely dressed young woman with a writing tablet and stylus, used in Roman paintings to indicate literacy and education. She was identified as the Greek poet Sappho without proof...

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The "Sappho" fresco, or Portrait of a Young Woman with Stylus, Pompeii, 1st century AD. It depicts a finely dressed young woman with a writing tablet and stylus, used in Roman paintings to indicate literacy and education. She was identified as the Greek poet Sappho without proof...

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Taus or Mayuri Vina. Stringed musical instrument in the form a peacock, North India, 19th century. Painted and lacquered wood, ivory, parchment and peacock feathers, with metal strings

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Taus or Mayuri Vina. Stringed musical instrument in the form a peacock, North India, 19th century. Painted and lacquered wood, ivory, parchment and peacock feathers, with metal strings

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Bracelet with lips. England, ca. 1810. Watercolor on ivory and gold. Loaned to the Museum of Fine Arts, Houston

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Bracelet with lips. England, ca. 1810. Watercolor on ivory and gold. Loaned to the Museum of Fine Arts, Houston

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Portrait of Empress Elisabeth of Austria with long hair by Franz Xaver Winterhalter, 1864, one of the two so-called "intimate" portraits of the empress; although its existence was kept secret from the general public, it was the emperor's favorite portrait and was kept in front of his desk

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Portrait of Empress Elisabeth of Austria with long hair by Franz Xaver Winterhalter, 1864, one of the two so-called "intimate" portraits of the empress; although its existence was kept secret from the general public, it was the emperor's favorite portrait and was kept in front of his desk

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A well-preserved Sassanid relief at Taq-e Bostan of Iran , showing Ardashir II receiving the diadem from Shapur II during his coronation, with Mithra standing to the left and the Roman emperor Julian under their feet.

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A well-preserved Sassanid relief at Taq-e Bostan of Iran , showing Ardashir II receiving the diadem from Shapur II during his coronation, with Mithra standing to the left and the Roman emperor Julian under their feet.

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Roman anthropomorphic dice in the form of squatting figures. The silver dice work much like conventional dice, with their various sides numbered with 1 to 6 red dots. 1st-2nd century CE, British Museum

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Roman anthropomorphic dice in the form of squatting figures. The silver dice work much like conventional dice, with their various sides numbered with 1 to 6 red dots. 1st-2nd century CE, British Museum

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Walking stick of ivory with a nude lady figure on top delicately carved in floral & creeper designs in vertical panels in six jointed pieces,19th century,india,salar jung museum,india

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Walking stick of ivory with a nude lady figure on top delicately carved in floral & creeper designs in vertical panels in six jointed pieces,19th century,india,salar jung museum,india

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Waffle-maker made of wrought iron, engraved with various motifs, such as the sun surrounded by natural and human figures, and portraits of emperors alternating with two-handled amphora, 16th-17th century

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Waffle-maker made of wrought iron, engraved with various motifs, such as the sun surrounded by natural and human figures, and portraits of emperors alternating with two-handled amphora, 16th-17th century

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Engraved gold frame, ivory painted with watercolour with a miniature of a woman handing a heart pierced by an arrow to a figure of Death, surmounted by an inscription “I Alone Can Heal” The back of plaited hair crossed by the name Fergusson, England, 1775-1800

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Engraved gold frame, ivory painted with watercolour with a miniature of a woman handing a heart pierced by an arrow to a figure of Death, surmounted by an inscription “I Alone Can Heal” The back of plaited hair crossed by the name Fergusson, England, 1775-1800

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Woman with short hair in the Fayum portrait. The painting dates from the Hadrianic period, dating to approximately the 2nd century CE.

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Woman with short hair in the Fayum portrait. The painting dates from the Hadrianic period, dating to approximately the 2nd century CE.

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