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Cupid wears a gigantic Silenus mask with a wreath, pointed ears, a bulbous nose, and a long, shaggy beard. His childlike face gazes out from the mask's open mouth with a serious expression, revealing the strain. Roman 1st century AD

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Cupid wears a gigantic Silenus mask with a wreath, pointed ears, a bulbous nose, and a long, shaggy beard. His childlike face gazes out from the mask's open mouth with a serious expression, revealing the strain. Roman 1st century AD

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Bronze face mask from a Roman parade helmet, late 1st century AD. Discovered at the fort of Trimontium along with two others in southern Scotland.

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Bronze face mask from a Roman parade helmet, late 1st century AD. Discovered at the fort of Trimontium along with two others in southern Scotland.

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A limestone Roman funerary stele depicting a seated woman with necklaces and earrings. From Athienou in Cyprus, end of 1st century CE, now housed at the Louvre museum in Paris

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A limestone Roman funerary stele depicting a seated woman with necklaces and earrings. From Athienou in Cyprus, end of 1st century CE, now housed at the Louvre museum in Paris

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A Manichæan silk painting of the Buddha-Jesus, from the Southern Song Dynasty, c.12-13th century CE. A syncretic figure is seated in lotus position. He holds a red lotus, in which rests a golden cross. He is haloed by a Christian nimbus, and rests under a Buddhist chatra .

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A Manichæan silk painting of the Buddha-Jesus, from the Southern Song Dynasty, c.12-13th century CE. A syncretic figure is seated in lotus position. He holds a red lotus, in which rests a golden cross. He is haloed by a Christian nimbus, and rests under a Buddhist chatra .

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A female mummy with children, from northern Chile. Her head is resting on a child mummy, while another one lies in the woman's lap. 11th-14th century CE

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A female mummy with children, from northern Chile. Her head is resting on a child mummy, while another one lies in the woman's lap. 11th-14th century CE

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A Roman silver sestertius depicting on the obverse, a bearded Gallic male head pierced by a spear, and on the reverse a legionary standard with a boar-shaped terminal pointing right. 84 BCE

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A Roman silver sestertius depicting on the obverse, a bearded Gallic male head pierced by a spear, and on the reverse a legionary standard with a boar-shaped terminal pointing right. 84 BCE

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Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

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Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

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Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

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Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

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A silver didrachm from the ancient Greek city of Gela in Sicily, depicting on the obverse a nude bearded rider hurling a spear with his raised right hand and holding the horse’s reins in his left, and on the reverse the forepart of man-headed bull, with long pointed beard. C. 490-475 BCE

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A silver didrachm from the ancient Greek city of Gela in Sicily, depicting on the obverse a nude bearded rider hurling a spear with his raised right hand and holding the horse’s reins in his left, and on the reverse the forepart of man-headed bull, with long pointed beard. C. 490-475 BCE

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This tombstone, made for a woman named Hyralia, bears a seven-line Coptic inscription within a frame of engraved vines: "Do not grieve, Hyralia; no one is immortal on earth! This is the path of every human being." 9th century AD

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This tombstone, made for a woman named Hyralia, bears a seven-line Coptic inscription within a frame of engraved vines: "Do not grieve, Hyralia; no one is immortal on earth! This is the path of every human being." 9th century AD

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The painting depicts a young man. It is a so-called Fayum portrait—a unique type of portrait created in Egypt during the Roman period, roughly from the 1st to the 3rd century CE. These portraits were painted on wooden panels using the encaustic technique .

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The painting depicts a young man. It is a so-called Fayum portrait—a unique type of portrait created in Egypt during the Roman period, roughly from the 1st to the 3rd century CE. These portraits were painted on wooden panels using the encaustic technique .

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A 1st century CE Roman gold ring with an engraved aquamarine depicting a nereid on a seahorse. From Petescia in Italy, now housed at the Altes Museum in Berlin

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A 1st century CE Roman gold ring with an engraved aquamarine depicting a nereid on a seahorse. From Petescia in Italy, now housed at the Altes Museum in Berlin

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Roman tombstone for a beloved horse. The epitaph reads: "Once you ran faster than the birds in the sky, outracing even the northwest wind. But you no longer graze in Tuscan woods and Siculan fields, and now you rest peacefully in this tomb." From Brescia, Italy, 2nd century CE.

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Roman tombstone for a beloved horse. The epitaph reads: "Once you ran faster than the birds in the sky, outracing even the northwest wind. But you no longer graze in Tuscan woods and Siculan fields, and now you rest peacefully in this tomb." From Brescia, Italy, 2nd century CE.

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Ring with bust figure holding a wine cup, 1st century CE. Gold inset with a semi-precious stone. From Gandhara , now housed at the Ashmolean Museum in Oxford

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Ring with bust figure holding a wine cup, 1st century CE. Gold inset with a semi-precious stone. From Gandhara , now housed at the Ashmolean Museum in Oxford

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The Aska figurine, dated to the 10th century, is considered the only known, explicit representation of a pregnant woman from the Viking Age. The silver figurine shows a pregnant woman, arms embracing her protruding belly, and wearing what appears to be a helmet with a noseguard.

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The Aska figurine, dated to the 10th century, is considered the only known, explicit representation of a pregnant woman from the Viking Age. The silver figurine shows a pregnant woman, arms embracing her protruding belly, and wearing what appears to be a helmet with a noseguard.

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An 18th century BCE Old Babylonian letter written by the student Iddin-Sin to his mother Zinu, in which he complaints about the poor quality of clothes his mother sent him compared to those of his peers, noting that even the adopted son of one of his father's servants had better clothing

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An 18th century BCE Old Babylonian letter written by the student Iddin-Sin to his mother Zinu, in which he complaints about the poor quality of clothes his mother sent him compared to those of his peers, noting that even the adopted son of one of his father's servants had better clothing

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2nd century CE Roman leather shoes for a man, woman and child, recovered from the Bar Hill Fort in the centre of the Antonine Wall. Now housed at the Hunterian Museum in Glasgow, Scotland

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2nd century CE Roman leather shoes for a man, woman and child, recovered from the Bar Hill Fort in the centre of the Antonine Wall. Now housed at the Hunterian Museum in Glasgow, Scotland

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The treasure of Thaj princess. Is approximately an 18 KG of various jewelry and a funerary mask that found buried with a 10 years old girl from the wealthy trading city of Thaj in eastern Saudi arabia. Circa 1th century AD

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The treasure of Thaj princess. Is approximately an 18 KG of various jewelry and a funerary mask that found buried with a 10 years old girl from the wealthy trading city of Thaj in eastern Saudi arabia. Circa 1th century AD

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Roman mosaic depicts a man lying in bed and his partner standing. The object is dated to 1st BCE - 1st century CE.

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Roman mosaic depicts a man lying in bed and his partner standing. The object is dated to 1st BCE - 1st century CE.

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