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Buddhist painting depicting the Amitabha Triad, drawn with gold pigment made by blending gold powder with animal glue on silk background painted dark blue, 1359, Goryeo Dynasty, Korea. Currently in the position of Sontaiji temple in Kōfu, Yamanashi Prefecture, Japan
ARTIFACT
Buddhist painting depicting the Amitabha Triad, drawn with gold pigment made by blending gold powder with animal glue on silk background painted dark blue, 1359, Goryeo Dynasty, Korea. Currently in the position of Sontaiji temple in Kōfu, Yamanashi Prefecture, Japan
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A Manichæan silk painting of the Buddha-Jesus, from the Southern Song Dynasty, c.12-13th century CE. A syncretic figure is seated in lotus position. He holds a red lotus, in which rests a golden cross. He is haloed by a Christian nimbus, and rests under a Buddhist chatra .
ARTIFACT
A Manichæan silk painting of the Buddha-Jesus, from the Southern Song Dynasty, c.12-13th century CE. A syncretic figure is seated in lotus position. He holds a red lotus, in which rests a golden cross. He is haloed by a Christian nimbus, and rests under a Buddhist chatra .
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The painted sculptures of the 28 Mansions of the Chinese constellations system, located at the Jade Emperor Temple in Jincheng. These statues, dating back to the Yuan Dynasty , showcase vivid and lively depictions that reflect the style of Taoist sculptures at that time
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The painted sculptures of the 28 Mansions of the Chinese constellations system, located at the Jade Emperor Temple in Jincheng. These statues, dating back to the Yuan Dynasty , showcase vivid and lively depictions that reflect the style of Taoist sculptures at that time
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Bai sema dating to the 9th-11th century CE depicting scenes from the life of the Buddha. The key scene shows Princess Yasodhara cleaning the Buddha’s feet with her hair. Currently displayed at the Khon Kaen National Museum.
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Bai sema dating to the 9th-11th century CE depicting scenes from the life of the Buddha. The key scene shows Princess Yasodhara cleaning the Buddha’s feet with her hair. Currently displayed at the Khon Kaen National Museum.
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Japan, Heian Period, Buddhist Tabernacle, late 1100s, Black lacquer over a wood core with hemp cloth covering, gold paint, cut gold leaf, ink, mineral pigments, and metalwork
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Japan, Heian Period, Buddhist Tabernacle, late 1100s, Black lacquer over a wood core with hemp cloth covering, gold paint, cut gold leaf, ink, mineral pigments, and metalwork
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Photography
A Painting of the Uga-Benzaiten Mandala, being a hybrid depiction of the Buddhist Goddess Benzaiten and the Shinto deity Ugajin. Produced Circa 1500-1600, Late Muromachi or Azuchi Momoyama Period in Japan.
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A Painting of the Uga-Benzaiten Mandala, being a hybrid depiction of the Buddhist Goddess Benzaiten and the Shinto deity Ugajin. Produced Circa 1500-1600, Late Muromachi or Azuchi Momoyama Period in Japan.
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A celadon water vessel with 9 dragons design, excavated from Gangjin-gun in South Korea. Goryeo Dynasty, 12th century CE. Now housed at the Yamato Bunkakan Museum in Japan
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A celadon water vessel with 9 dragons design, excavated from Gangjin-gun in South Korea. Goryeo Dynasty, 12th century CE. Now housed at the Yamato Bunkakan Museum in Japan
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Ceramic paint box with sliding lid, with grip in the form of a genet , containing seven pigment cakes. Egypt, New Kingdom, dynasty 19-20, ca. 1302-1070 BC. RISD Museum collection
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Ceramic paint box with sliding lid, with grip in the form of a genet , containing seven pigment cakes. Egypt, New Kingdom, dynasty 19-20, ca. 1302-1070 BC. RISD Museum collection
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Remaining on the former site of Heungbeopsa Temple, this stele is dedicated to the great Buddhist monk Jingong . The main body with inscription was broken down, and its fragments were moved to National museum of Korea
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Remaining on the former site of Heungbeopsa Temple, this stele is dedicated to the great Buddhist monk Jingong . The main body with inscription was broken down, and its fragments were moved to National museum of Korea
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Photography