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Painted Portrait of "Serapis" a state-created syncretic take on the God Isis, rebranded by Ptolemy I, with features of Zeus. To create a deity who would appeal to both the local Egyptians and the large Greek minority of Alexandria - Egg tempera on wood.

ARTIFACT

Painted Portrait of "Serapis" a state-created syncretic take on the God Isis, rebranded by Ptolemy I, with features of Zeus. To create a deity who would appeal to both the local Egyptians and the large Greek minority of Alexandria - Egg tempera on wood.

ARTIFACT / Photography

Portrait of a mummified Roman woman. The painting is made with wax on sycamore wood. The artifact dates to 2nd century CE and comes from Roman Egypt.

ARTIFACT

Portrait of a mummified Roman woman. The painting is made with wax on sycamore wood. The artifact dates to 2nd century CE and comes from Roman Egypt.

ARTIFACT / Photography

A man from Thessaloniki found an statue of a woman wrapped up inside a black plastic bag next to a trash bin. He informed the local authorities, just to find out that the statue dates back to 323–31 BC, spannig from the death of Alexander the Great to the Roman conquest of Ptolemaic Egypt.

ARTIFACT

A man from Thessaloniki found an statue of a woman wrapped up inside a black plastic bag next to a trash bin. He informed the local authorities, just to find out that the statue dates back to 323–31 BC, spannig from the death of Alexander the Great to the Roman conquest of Ptolemaic Egypt.

ARTIFACT / Photography

The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. Walters

ARTIFACT

The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. Walters

ARTIFACT / Photography

The painting depicts a young man. It is a so-called Fayum portrait—a unique type of portrait created in Egypt during the Roman period, roughly from the 1st to the 3rd century CE. These portraits were painted on wooden panels using the encaustic technique .

ARTIFACT

The painting depicts a young man. It is a so-called Fayum portrait—a unique type of portrait created in Egypt during the Roman period, roughly from the 1st to the 3rd century CE. These portraits were painted on wooden panels using the encaustic technique .

ARTIFACT / Photography

Portrait of an unidentified man that was placed over the face and upper torso of his mummy. Dated to 150-170 AD, it is painted in encaustic on a panel of linden wood, and it was originated in Roman Egypt.

ARTIFACT

Portrait of an unidentified man that was placed over the face and upper torso of his mummy. Dated to 150-170 AD, it is painted in encaustic on a panel of linden wood, and it was originated in Roman Egypt.

ARTIFACT / Photography

Ancient Greek Kithara reconstruction. The Kithara was similar to a Lyre but larger and more complex. It was Associated with the god Apollo who was patron of Musicians. Museum of Ancient Greek Musical Instruments, Katakolon, Greece.

ARTIFACT

Ancient Greek Kithara reconstruction. The Kithara was similar to a Lyre but larger and more complex. It was Associated with the god Apollo who was patron of Musicians. Museum of Ancient Greek Musical Instruments, Katakolon, Greece.

ARTIFACT / Photography

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT / Photography

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT

Fayum portrait of a man in a blue cloak. The painting was made with the encaustic method on a wooden panel. The object comes from the 1st-2nd century CE and is located as an exhibit at the Pushkin State Museum of Fine Arts in Moscow .

ARTIFACT / Photography

Roman Mosaic showing a victorious boxer. The winner’s palm branch is held in his mouth, and his defeated opponent crouches beside him. The boxers appear to be people of short stature, commonly hired by Romans to perform and compete for their entertainment. 1stC-2ndC

ARTIFACT

Roman Mosaic showing a victorious boxer. The winner’s palm branch is held in his mouth, and his defeated opponent crouches beside him. The boxers appear to be people of short stature, commonly hired by Romans to perform and compete for their entertainment. 1stC-2ndC

ARTIFACT / Photography

Statuette of a canid-headed god, probably Anubis- Ptolemaic Period 332–30 BCE. Egyptian. Plastered and painted wood.

ARTIFACT

Statuette of a canid-headed god, probably Anubis- Ptolemaic Period 332–30 BCE. Egyptian. Plastered and painted wood.

ARTIFACT / Photography

In the ruins of Pompeii – specifically in the area of region V, where street bars were located – archaeologists have found an unusual object: a vase , manufactured in Alexandria, Egypt, which is decorated with Egyptian-style hunting scenes.

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In the ruins of Pompeii – specifically in the area of region V, where street bars were located – archaeologists have found an unusual object: a vase , manufactured in Alexandria, Egypt, which is decorated with Egyptian-style hunting scenes.

ARTIFACT / Photography

A Manichæan silk painting of the Buddha-Jesus, from the Southern Song Dynasty, c.12-13th century CE. A syncretic figure is seated in lotus position. He holds a red lotus, in which rests a golden cross. He is haloed by a Christian nimbus, and rests under a Buddhist chatra .

ARTIFACT

A Manichæan silk painting of the Buddha-Jesus, from the Southern Song Dynasty, c.12-13th century CE. A syncretic figure is seated in lotus position. He holds a red lotus, in which rests a golden cross. He is haloed by a Christian nimbus, and rests under a Buddhist chatra .

ARTIFACT / Photography