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Attic red-figure plate with Heracles leading Cerberus, accompanied by Hermes. This is the name vase of the Cerberus Painter, as Paseas was previously known - ultimo 6th century BCE

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Attic red-figure plate with Heracles leading Cerberus, accompanied by Hermes. This is the name vase of the Cerberus Painter, as Paseas was previously known - ultimo 6th century BCE

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Attic red-figure krater - Hephaestus sitting on mule holding hammer and tongs, Hermes with winged boots, Satyr playing aulos, Hera seated - Attributed to the Cleophrades Painter - 485-480 BCE - Mule fallos censored

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Attic red-figure krater - Hephaestus sitting on mule holding hammer and tongs, Hermes with winged boots, Satyr playing aulos, Hera seated - Attributed to the Cleophrades Painter - 485-480 BCE - Mule fallos censored

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Bronze statue of a young man. The figure shown is in the middle of a prayer - hence its name "Praying Boy". The object was found in Rhodes, and is dated to the 3rd century BCE.

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Bronze statue of a young man. The figure shown is in the middle of a prayer - hence its name "Praying Boy". The object was found in Rhodes, and is dated to the 3rd century BCE.

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Terracotta bell krater with Hermes and Hekate leading Persephone from the underworld to her mother Demeter. Greek, Attic, ca. 440 BC. Red-figure decoration attributed to the Persephone painter. See link in comments for reverse with libation scene. Metropolitan Museum of Art collection

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Terracotta bell krater with Hermes and Hekate leading Persephone from the underworld to her mother Demeter. Greek, Attic, ca. 440 BC. Red-figure decoration attributed to the Persephone painter. See link in comments for reverse with libation scene. Metropolitan Museum of Art collection

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A love spell written in Coptic by a man named Abapoulos to attract another man named Flo, son of Mori. According to the spell, Flo will chase Abapoulos from village to village, he won't be able to relax or calm down until he finds Abapoulos and fulfills his desire. 6th–7th century.

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A love spell written in Coptic by a man named Abapoulos to attract another man named Flo, son of Mori. According to the spell, Flo will chase Abapoulos from village to village, he won't be able to relax or calm down until he finds Abapoulos and fulfills his desire. 6th–7th century.

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Greek hoplite with a shield bearing the image of Pegasus defeats a Persian warrior - Tondo of Attic red-figure kylix - Triptolème painter ~480 BCE -

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Greek hoplite with a shield bearing the image of Pegasus defeats a Persian warrior - Tondo of Attic red-figure kylix - Triptolème painter ~480 BCE -

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Artemis of Ephesus, alabaster and painted bronze, 2nd-century AD. The place of recovery is unknown. The statue is 4ft high and relates to an ancient cult celebrated in Ephesus , where Artemis was venerated as the goddess of nature and ruler of wild beasts...

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Artemis of Ephesus, alabaster and painted bronze, 2nd-century AD. The place of recovery is unknown. The statue is 4ft high and relates to an ancient cult celebrated in Ephesus , where Artemis was venerated as the goddess of nature and ruler of wild beasts...

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Bronze calf with silver plating, representing Ba'al-Sapon, and a pottery shrine, 16th century BCE. This cultic fixture was placed outside the city gate of ancient Ashkelon, on a slope headed towards the port so sailors could worship Ba'al-Sapon, a protector of sailors in Canaanite religion

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Bronze calf with silver plating, representing Ba'al-Sapon, and a pottery shrine, 16th century BCE. This cultic fixture was placed outside the city gate of ancient Ashkelon, on a slope headed towards the port so sailors could worship Ba'al-Sapon, a protector of sailors in Canaanite religion

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Portrait head of Mithridates VI of Pontus as Hercules, made in the first century CE. Mithridates, one of the late Roman Republic's most formidable enemies, was also known for his mastery of poison.

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Portrait head of Mithridates VI of Pontus as Hercules, made in the first century CE. Mithridates, one of the late Roman Republic's most formidable enemies, was also known for his mastery of poison.

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A finely carved double seat monolith is found on the upper platform of the Vilcashuamán Usnu in Peru. According to the chronicles, it was used by the Inca and his colla , to pray. 15th-16th century CE

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A finely carved double seat monolith is found on the upper platform of the Vilcashuamán Usnu in Peru. According to the chronicles, it was used by the Inca and his colla , to pray. 15th-16th century CE

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In the late 6th century CE, Greece was frequently attacked by Slavs and Avars. So a group of people and children took refuge in the Andritsa cave, taking with them lamps, vases, coins and a bronze cross, but for reasons unknown they were trapped inside and their refuge became their grave

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In the late 6th century CE, Greece was frequently attacked by Slavs and Avars. So a group of people and children took refuge in the Andritsa cave, taking with them lamps, vases, coins and a bronze cross, but for reasons unknown they were trapped inside and their refuge became their grave

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Scythian gold hilt with sculptured figures of two recumbent elk with birds of prey on their heads, 6th century BC

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Scythian gold hilt with sculptured figures of two recumbent elk with birds of prey on their heads, 6th century BC

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A scroll of 7 calligraphy pieces by various warlords of Japan from the Kenmu Restoration and slightly earlier, dating from the 13th to 14th century. Each piece is accompanied with an early inscription and seal of appraisal. A rather exciting and very recent acquisition

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A scroll of 7 calligraphy pieces by various warlords of Japan from the Kenmu Restoration and slightly earlier, dating from the 13th to 14th century. Each piece is accompanied with an early inscription and seal of appraisal. A rather exciting and very recent acquisition

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This 12th-century CE sock, from Egypt, was knitted from the toe upward to the leg. Its heel was made separately at the end and attached to loops left during leg knitting. This ingenious practice allowed the heel to be replaced when it wore out without the necessity of making new socks

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This 12th-century CE sock, from Egypt, was knitted from the toe upward to the leg. Its heel was made separately at the end and attached to loops left during leg knitting. This ingenious practice allowed the heel to be replaced when it wore out without the necessity of making new socks

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Wall painting from Herculaneum, depicting a tragic actor resting after the play. The fresco is dated to the 1st century BCE. The objectis in the National Archaeological Museum in Naples.

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Wall painting from Herculaneum, depicting a tragic actor resting after the play. The fresco is dated to the 1st century BCE. The objectis in the National Archaeological Museum in Naples.

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Marble funerary altar of a child named Anthus- The altar was set up by his father, Lucius Iulius Gamus. The deceased is referred to as, “his sweetest son" and a personal touch is given to the relief by showing Anthus with his pet dog.

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Marble funerary altar of a child named Anthus- The altar was set up by his father, Lucius Iulius Gamus. The deceased is referred to as, “his sweetest son" and a personal touch is given to the relief by showing Anthus with his pet dog.

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An early 17th century CE Dehua porcelain figure of an immortal with deer and crane. Made by He Chaozong, now housed at the Palace Museum in Beijing, China

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An early 17th century CE Dehua porcelain figure of an immortal with deer and crane. Made by He Chaozong, now housed at the Palace Museum in Beijing, China

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Winged Victory statuette, Bronze, Pompeii, 1st century AD. Smaller copy of a well-known Greek piece, frequently reproduced in antiquity. The original gilded bronze was created by the Tarentines to celebrate their victory over Rome at Heraclea in 281 BC with the help of King Pyrrhus...

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Winged Victory statuette, Bronze, Pompeii, 1st century AD. Smaller copy of a well-known Greek piece, frequently reproduced in antiquity. The original gilded bronze was created by the Tarentines to celebrate their victory over Rome at Heraclea in 281 BC with the help of King Pyrrhus...

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A 15th century CE Vietnamese ceramic kneeling figure, now housed at the Asian Civilisations Museum in Singapore. The humorous features and the keris he wears suggest this figure might be one of the jesters at the Javanese courts

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A 15th century CE Vietnamese ceramic kneeling figure, now housed at the Asian Civilisations Museum in Singapore. The humorous features and the keris he wears suggest this figure might be one of the jesters at the Javanese courts

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