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A reticulated double walled imperial porcelain vase from the Qianlong period, Qing China, c. 1736 to 1795. Discovered on a suburban shelf in London, it later sold for a record eighty million dollars.
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A reticulated double walled imperial porcelain vase from the Qianlong period, Qing China, c. 1736 to 1795. Discovered on a suburban shelf in London, it later sold for a record eighty million dollars.
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A Magnificent and Highly Important Yangcai Reticulated Vase Seal Mark and Period of Qianlong Matching Record Dated to the 12th Day of The 8th Month in the 7th Year of The Qianlong Period
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A Magnificent and Highly Important Yangcai Reticulated Vase Seal Mark and Period of Qianlong Matching Record Dated to the 12th Day of The 8th Month in the 7th Year of The Qianlong Period
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Ritual vessel . China, Qing dynasty, Qianlong mark and period . Porcelain with low-relief decoration under yellow glaze . Loaned to the Metropolitan Museum of Art from the Palace Museum, Beijing
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Ritual vessel . China, Qing dynasty, Qianlong mark and period . Porcelain with low-relief decoration under yellow glaze . Loaned to the Metropolitan Museum of Art from the Palace Museum, Beijing
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A trompe l'oeil celadon-glazed ‘beetle’ leaf-form ink palette, from China, Qianlong period , sold at Christie's in 2025
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A trompe l'oeil celadon-glazed ‘beetle’ leaf-form ink palette, from China, Qianlong period , sold at Christie's in 2025
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A vase discovered in southeastern Iran dated to c. 2000-1800 BC shows a warrior riding a chariot pulled by a horse. From the Louvre Museum.
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A vase discovered in southeastern Iran dated to c. 2000-1800 BC shows a warrior riding a chariot pulled by a horse. From the Louvre Museum.
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Dish with peonies and dragonfly. China, Qing dynasty, Qianlong mark and period . Porcelain painted in overglaze polychrome enamels. Metropolitan Museum of Art collection
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Dish with peonies and dragonfly. China, Qing dynasty, Qianlong mark and period . Porcelain painted in overglaze polychrome enamels. Metropolitan Museum of Art collection
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An imitation wood glaze porcelain flower pot with base, made during the reign of the emperor Qianlong . Now housed at the National Museum of China
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An imitation wood glaze porcelain flower pot with base, made during the reign of the emperor Qianlong . Now housed at the National Museum of China
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Box and cover. China, Qing dynasty, reign of Qianlong . Glazed porcelain imitating carved cinnabar lacquer and woven basketry. Brooklyn Museum collection
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Box and cover. China, Qing dynasty, reign of Qianlong . Glazed porcelain imitating carved cinnabar lacquer and woven basketry. Brooklyn Museum collection
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A gilt copper round box with openwork decoration of leaf scrolls and dragon. From the reign of the Emperor Qianlong , now housed at the Palace Museum in Beijing China
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A gilt copper round box with openwork decoration of leaf scrolls and dragon. From the reign of the Emperor Qianlong , now housed at the Palace Museum in Beijing China
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Glass vase with Arabic inscription. China, Qing dynasty, Qianlong period . Brooklyn Museum collection
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Glass vase with Arabic inscription. China, Qing dynasty, Qianlong period . Brooklyn Museum collection
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A 'Robin's egg' glazed vase made during the reign of the emperor Qianlong . From China, now housed at the Asian Civilisations Museum in Singapore
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A 'Robin's egg' glazed vase made during the reign of the emperor Qianlong . From China, now housed at the Asian Civilisations Museum in Singapore
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Blue and white Wanshou Vase, decorated with 9.999 characters for "Shou" which means longevity, and 1 character for "Wan" which means "long life". The vase was intended as a present for the emperor's birthday. From China, Qing Dynasty, Kangxi Reign
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Blue and white Wanshou Vase, decorated with 9.999 characters for "Shou" which means longevity, and 1 character for "Wan" which means "long life". The vase was intended as a present for the emperor's birthday. From China, Qing Dynasty, Kangxi Reign
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Chinese porcelain recovered from a shipwreck discovered off the southern coast of Norway, 18th century
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Chinese porcelain recovered from a shipwreck discovered off the southern coast of Norway, 18th century
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A blue glaze chrysanthemum petal shaped teapot, made during the reign of the emperor Yongzheng . Porcelain, from China, Qing Dynasty
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A blue glaze chrysanthemum petal shaped teapot, made during the reign of the emperor Yongzheng . Porcelain, from China, Qing Dynasty
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This crystal cup, excavated from a Banshan Shitang Warring States tomb in Hangzhou; carbon-14 dated to the mid-to-late Warring States period, over 2,000 years ago
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This crystal cup, excavated from a Banshan Shitang Warring States tomb in Hangzhou; carbon-14 dated to the mid-to-late Warring States period, over 2,000 years ago
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A Qianlong-marked enamel-inlaid jade gourd vase. Qianlong period , now housed at the Shenyang Palace Museum in China
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A Qianlong-marked enamel-inlaid jade gourd vase. Qianlong period , now housed at the Shenyang Palace Museum in China
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A set of traditional Chinese ink sticks gifted to the Qianlong Emperor, with poems by the Qianlong Emperor written on them. The sticks are in a lacquer box with mother-of-pearl inlay. China, Qing Dynasty, 1780-1795. Now in the Cleveland Museum of Art
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A set of traditional Chinese ink sticks gifted to the Qianlong Emperor, with poems by the Qianlong Emperor written on them. The sticks are in a lacquer box with mother-of-pearl inlay. China, Qing Dynasty, 1780-1795. Now in the Cleveland Museum of Art
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The marble statue of a male that was discovered in December of 2024 during the supervision of a gas network installation in downtown Athens. In this area, during the imperial period , some of the most magnificent villas of the city were located.
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The marble statue of a male that was discovered in December of 2024 during the supervision of a gas network installation in downtown Athens. In this area, during the imperial period , some of the most magnificent villas of the city were located.
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Pompeian fresco depicting Theseus after killing the Minotaur. The fresco is not large. In the past, it was the central panel of a larger painting. It was like a painting hung in the middle of the wall and the attention of the person entering the room was supposed to focus on it.
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Pompeian fresco depicting Theseus after killing the Minotaur. The fresco is not large. In the past, it was the central panel of a larger painting. It was like a painting hung in the middle of the wall and the attention of the person entering the room was supposed to focus on it.
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